Rain Poem illustration part 2

Last week I shared the rough sketch process, this week I am sharing the final illustration for the poster project I recently completed. These are the final images, I like the lightness of them, and they feel appropriate for children, as they were going into elementary schools.

erintaniguchi_rainhearterintaniguchi_kid

This is the print for the kid illustration:

erintaniguchi_kid_print

I cut out the image, and colored it digitally in Photoshop.

These are the prints and drawings I used to create the hands/heart illustration. I carved several hands separately, and collaged them together in Photoshop. The heart and raindrops I drew by hand in ink, and then scanned them in and applied texture digitally to create a linocut look. A little shortcut I use sometimes. 🙂

Thanks for reading about the process! Hope you found it interesting.

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Rain Poem illustration

In March I was commissioned to create an illustration for Asian Heritage Month (April). The client was creating a series of posters with Canadian author’s poetry, and wanted Canadian illustrator’s work to accompany it. The posters went up in elementary schools in Ontario.

The poem I was assigned was titled “Poem for the Rain” (appropriate for me, living in Vancouver). This is the rough the client chose to go with.

erintaniguchi_rough3

These are the other roughs I presented:

These are some of my rough sketches that I scanned in, and then arranged digitally to create the roughs.

Next week I will share the final illustration. Stay tuned!

Armando’s Meats Etching

Started working on my little square etching of the Armando’s Meats sign from the Farmer’s Market. Pretty happy with it so far.

armandos_proofs

I did the linework with soft ground, to get a pencil line look. Then I did a very light aquatint for a little bit of shading around the sign, and some tone on the wall in the background. I’ll probably add some more shadows with the roulette.

armandos_process

Here is a process shot. This is blocking out the areas for the aquatint.

Using Reference

I thought I would write a little bit about how I use reference when drawing or completing an illustration. Firstly, I think it is essential to always use reference when drawing, as it will make your drawings more believeable. Even when drawing a mythical creature, or something that doesn’t exist in reality, it is best to reference animals and combine them together, or use as a base to create your own creature.

Use several reference images when drawing an illustration, don’t copy directly from one reference image. Using several reference images and customizing them for your own uses will make your illustration more authentic. It also protects you from copyright infringement.

These reference photos I used for a recent illustration commission. I was drawing a kid with an umbrella, standing in the rain. The photo on the right had the pose I was looking for, but didn’t have a bottom half, so I found a photo with the full body. I combined these two reference images while drawing:

kid_drawing

This is the drawing I used to transfer to the lino block, and carved a linocut for the illustration.

Another thing you can do is create your own reference photos. I usually go to Google as a first stop to find reference. But Google doesn’t always have the right photos, or not exactly what you are looking for. In this case, you can take your own reference photos. That way you can get the exact pose you are looking for.

Here is an example of when I took my own reference photos for an illustration project.

mockup

This is my sister, and I often get her to pose for me for reference images. Thanks sis! In this case I took several photos, and collaged them together, so I could draw from it.

rough2

This is the rough sketch I drew from it. This is a killed sketch, it never got used in the final illustration.

Those are my thoughts on using reference images. These examples are for conceptual illustrations, but the same ideas apply for realistic illustrations.

Wooden Duck Etching

I was going through old sketchbooks the other day, and came across some drawings that I thought would make some nice etchings. This drawing is of an old childhood toy that I have sitting on my bookshelf. It’s a simple wooden duck pull toy. According to my mom, I pulled it around everywhere when I was a toddler.

duck_drawing

I started an etching of this drawing last week. I used the rosin box for the first time, and got a really fine aquatint, for a nice even grey tone.

duck_proof

Still a lot of work to do of course, this is the first proof. I want to add something to the background, but am not sure what yet.

Here is a process shot. This is painting with the hard ground to block out areas I want to stay white. The exposed area (the duck) is the aquatint area, and will etch.

process

Small Sketches

For my next etching project, I thought I would etch some small plates using sketches I did in the Farmer’s Market on Granville Island.

This little sketch is of the sign for Armando’s Meats, where I buy yummy bison burgers from. 🙂 The image on the left is flipped, to prepare for transferring to the copper plate. Because there is text, I flip the image, so when it prints it is readable. When you print a copper plate, it prints reversed.

This is another small sketch I want to etch into a copper plate.

pencils_pens

I have a few small 4″x4″ copper plates, so I think these drawings will fit perfectly. Hopefully these will be in the summer show at Dundarave.

 

Poseidon – The Lino/Digital Process

So I switched gears on my Poseidon piece, and decided to do my linocut/digital method instead. The etching wasn’t going as planned, and I had some new green lino to try out from work. I will probably re-visit the etching later.

I took my drawing and carved it out on the lino. The scales took a while, lots of tiny, tiny marks. This is the resulting print.

merman_print

I then scanned in the print, and brought it into Photoshop to color digitally, and also play with the background a bit. I used some of my textures that I keep on my computer. The texture on the left is ink rolled out onto paper using a brayer. The image on the right is ink splatter.

After playing around with colors and gradients, this is the final image:

poseidon_final

This image will be in the upcoming “Water” show at Dundarave Print Workshop on Granville Island. If you are in the Vancouver area, check out the show!